Endeavour Sailboat Diagram

Alta tensione

In a renowned psychiatric clinic arrives, a newly appointed director, Dr. Robert Thorndyke, a renowned psychiatrist also awarded the Nobel Prize. Patients
institution belong to the beautiful world and all the juicy lines stir the appetites of physicians, flying happily about the concept of professional ethics, a coalition successfully hide from the world for the eventual recovery of their patients. The
neodirettore does not take long to realize that the environment that surrounds it hides more than a few flaw, and helped the hospital by the driver and the daughter of one inmate, seeks to achieve, however, encumbered with a charge of murder diabolically constructed at a desk, a law that now seems pour into an irreversible coma.
Dedicated to the master of suspense Alfred Hitchcock, warns the text before the opening credits, HV proves to be a parody of the works of the English admirably not biased on the side of 'contempt', thanks to a run of Mel Brooks measured not always as committed elsewhere and even here in front of the camera in the role of Thorndyke. Influenced in particular by the suggestions of Woman Who Lived Twice ( Vertigo, original) by dell'acrofobia - namely the fear of heights - that diminishes the everyday life of Thorndyke, the film suffers from some of Brooks not gag functional context, but is only a venial sin: the plot, after a departure not just irresistible, follow with pleasure, alternating with the taste for the absurd moments of irresistible humor (which also cover the film in the making) as well as reworkings almost flawless frames to time frame of the cult Hitchcock filmography.

Directed by: Mel Brooks. Cast: Mel Brooks, Madeline Kahn, Cloris Leachman. Original title
High Anxiety. Genre: Comedy. Duration: 94 min. Production: USA 1977.

Silver City Theater Ottawa

Milano calibro 9

figure in the prestigious (and was) panorama of Italian cinema in general, Fernando Di Leo, inspired by some stories George Scerbanenco, signed with Milan size 9, that La mala order and boss composed the famous "Milieu Trilogy", what is considered by many his masterpiece, and a lover Quentin Tarantino brings, perhaps with a hint of exaggeration or maybe not, as "the greatest Italian noir of all time."
Certainly the story of Ugo Piazza, thorough worker on the payroll of the crime of 'American' - bosses feared he deems responsible for the disappearance of three hundred thousand U.S. dollars last result illegal exchange of money before his minion decides to his view, to be catturare come un dilettante dopo una rapina e di assicurarsi così una vacanza di tre anni, con rigoglioso avvenire, a spese dello Stato - si traduce in esaltante visione (valgano per tutti i minuti iniziali, commentati unicamente da inquadrature calibrate come tocchi di bisturi che inseguono la montante musica composta da Luis Bacalov), mai avara di colpi di scena, navigata da squarci di violenza non appannati dal fare cassetta e accarezzata da un insopprimibile romanticismo di fondo.
L’interpretazione di Gastone Moschin nei braccati quanto ostinati panni di Ugo Piazza, poi, è semplicemente di quelle che possono consacrare una carriera.

Regia: Fernando di Leo. Interpreti: Gastone Moschin, Barbara Bouchet, Mario Adorf. Genere: Poliziesco. Durata: 97 min. Produzione: Italia, 1972.