Accompanied by expectations (most?) Partly linked to rumors that they wanted a representation of a behind the scenes of the ballet world lit by headlights, red light, The Black Swan not cheating but fortunately you do not Darren Aronofsky convenience of sequences that must have shot without taking too many concerns, and arrived on time, bans minors.
closure of the ideal diptych inaugurated with the acclaimed and somewhat poignant The Wrestler, The Black Swan tells the story of Nina, a young dancer in New York City Ballet seeking a role that can be given the status in a star of the first magnitude. The occasion seems to come when the art director, Thomas Leroy, decided to open the new season by offering a personal interpretation of Swan Lake . Being able to interpret the dual part of the White Swan and Black Swan is certainly the opportunity of a lifetime, and Nina does not intend to leave it away, an excellent command of strong dance technique and voted all'eserciziointensivo, almost to the martyrdom of body.
But the dedication of Nina does not seem to suffice: Leroy when he called her Lily and indicates a new dancer from the company learned from her role in preparing the field, presenting her with the words: "You are the sex!" is a profound disturbance to subjugate the spirit, accentuated by surprise then to hear a whisper in his ear tips to follow at home, "Touched."
The choreographer had been right: Nina is perfect for the part of the White Swan, and would also for that of the Black Swan: it's a beautiful woman, but his wish to achieve excellence in the mortifying realization of a wish of the senses from the corner for too long kept close ties and furious now eager to break its banks.
Alone in her bed, Nina tries to listen to the exhortation of Leroy, but just a minute before winning the threshold of freedom an inadvertent movement of the head shows her mother, sleeping on the sofa. It 's just a fraction of a second, but enough to reprecipitated in a state of' shame 'to everything that does not concern the study abnegation in the pursuit of artistic eminence.
But the chains of guilt, however, have suffered a profound shock, the butter will be demonstrated in front of the entrance scene of Lily, which is revealed gradually as the dark double of Nina, who will hand in a longer journey postponed until the deeper roots of his neurosis.
Psychological Thriller dappled brushstrokes from horror, The Black Swan attention from the first sequence to the safety of the public as to the tangibility of what you should be doing on the screen, to actually identify the viewer's gaze with that of Nina, in a perpetual oscillation between subjective authenticity of life, dreams and projections of the unconscious.
Generoso suggestions in large tracts and disturbing, The Black Swan should be seen if only to enjoy the capital interpretation of Natalie Portman, who carves a Nina Oscar, well seconded by a superlative cast, on which stands a Barbara Hershey in that role of Erica, Nina's mother and former dancer whose career Stoppata by pregnancy, was won by the mental approach to Baby Jane, whose daughter did not want to knowingly harm by virtue of a relationship which seem morbid, not the rende meno terrificante del personaggio portato alla ribalta da Bette Davis nel classico di Robert Aldrich.
Il cigno nero
Titolo originale: Black Swan
Nazione: USA
Genere: Drammatico
Durata: 103 min. Anno: 2010
Interpreti: Natalie Portman, Vincent Cassel, Mila Kunis, Winona Ryder, BarbaraHershey
Regia: Darren Aronofsky
Originariamente pubblicato, fatte salve alcune modifiche, su Il Giornale di Puglia in data 25 febbraio 2011.
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