Calgary Auto Auctions

John Rambo

When the Tiger is not just to be alive. At 61 years Sylvester Stallone gets back in game and after a decent sixth and final chapter in Rocky Balboa, the Italian-American boxer in 1976's the asphalt road to success lighting up with three Oscars, returns again to play, dodging ridiculous, the iconic role of Rambo, the soldier and Vietnam veteran who does not accept that America bogey of his children returned from fronte, quasi fosse una colpa aver servito la Patria e soprattutto non aver avuto il riguardo di morire per essa.
John Rambo ora trascina la propria esistenza catturando cobra, che poi vende a organizzatori di prove di coraggio, e percorrendo in battello il fiume Salween a scopo pesca o, all’occorrenza, trasporto persone. Il luogo del buon ritiro è la Thailandia settentrionale. Poco distante, al confine con la Birmania, si consuma il genocidio del popolo Karen a opera dello spietato esercito birmano. John Rambo lascia che gli echi della sofferenza, delle esecuzioni sommarie e degli stupri all’ordine del giorno, turpi risultati di una guerra giunta ormai al sessantesimo anno di età, gli scivolino addosso insieme agli amari ricordi del suo past as a fighter, first recognized by the country and then used for missions where, if something had happened, only close relatives would have known of its existence.

arrive in the village where he lives a day of American missionaries who ask him, the "American river guide". The expedition leader, Michael Bennett, a doctor, asks him to accompany them on his boat along the Salween to the point where they can, walk to reach the hills are a refuge for the Karen people and bring their medicines, comfort items, and Bibles. Since the last time you ventured into Burma, the military has undermined many paths, and then the way water is currently the safest one.

not even talk about it: Rambo does not want to meddle in these matters and makes them weigh the fact that having no arms could hardly change the course of events. But cynicism is a facade: she just afraid to give even the slightest chance of imprinting levied war festering in his DNA.

Rain, rain without banks sommergesse that if the world would be better, Sarah, Michael's girlfriend, tries to persuade the man so quiet and elusive: "It has to believe in someone. Has yet to import them for anything."

rains, and rain that melts even the latest uncertainty. The next day the group is traveling. Rambo, aft, shunting without a word. His face does not seem to betray any interest in what he is doing. False: did not want to reward and every fiber of his being are stretched to catch the slightest whiff of danger. A Burmese pirate boat intercepts them and them boards. Rambo was giving it his all to appease the spirits, but when the leader of that band of cutthroats realizes that there is a woman among the passengers and only happens simply what needs to happen. "War is natural, peace is to be an anomalous event. This is the reality. When you are prompted to do so, killing is as easy as breathing". The warrior
pressed to rise and when, after even a couple of weeks, Arthur Marsh, pastor of the Church of Christ in Colorado, puts it aside that missionaries are no longer returned, and that Karen had information from the guerrillas and collected the necessary funds, has hired a bunch of mercenaries to go and free his men from the prison camp in Burma, does not hesitate to agree to accompany the soldiers of ventura riverside. It is not only being a "fucking war machine" to push him back in action: the woman, Sarah, has deeply impressed by his unwavering dedication to the cause and something, perhaps love, returns to your heart after a long, long time. Photo
tuned on the frequencies of a nightmare with open eyes, horror and indignation: Sylvester Stallone takes on himself for the first time the burden of directing uno dei suoi personaggi più amati dal pubblico di tutte le latitudini e per chiudere degnamente l' affaire Rambo imbastisce una storia che scandaglia una realtà poco conosciuta a livello mediatico, fino a confezionare un film 'dell'orrore' di indubbia tenuta spettacolare.

Stazza e statura di un autentico Golem della guerra, Rambo si riconsegna definitivamente al suo mondo nella emozionante e brutale sequenza che vede il reduce trafiggere con frecce scagliate con sovrumana perizia i militari birmani che stavano per infamarsi con l'ennesimo crimine contro i Karen. Il guerriero è risorto e non può (più) opporsi al suo destino: prima che la parola "Uccidi" possa essere cancellata dalla sua fronte occorrerà that the hands may warm up to burn and become one with the handle of a gun.

Directed by: Sylvester Stallone. Cast: Sylvester Stallone, Julie Benz, Matthew Marsden.

Original title: Rambo. Genre: Action. Duration: 91 min. Production: USA 2008.

Originally published, with certain modifications, on http://www.filmscoop.it/

Stars Broken Capillaries

Batman: The Movie

From 1966 to 1968, produced 120 episodes of a Fox television series focusing on the exploits of Batman and his faithful companion Robin, the boy wonder. The show, children drift light-comic adventures of the adolescent human bat made between the late 50th and first half of 60, met with strong success, insomuch that even the big screen, which pay homage to the fans in 1966 with a feature film that was the Its strength in the deadly machine using for the first time as one of the four villains more representative of the serial.

Batman: The Movie , directed by Leslie H. Martinson, it turns out, however, nothing more than a sumptuous episode out schedule, with shots from above and photographed in an unprecedented wide-Gotham City and Batman can afford to hang in long shot by Bat-scale Bat-cottero per saltare su uno yatch dal quale era arrivato un Sos.

La trama, che potremmo tranquillamente definire demenziale, vede il Dinamico Duo alle prese con il rapimento del Commodoro Schmidlapp ad opera dei più temibili criminali di Gotham: il Pinguino, Joker, l’Enigmista e Catwoman. Il diabolico scopo dei super malviventi è quello di sfruttare l’invenzione di Schmidlapp: un disidratatore in grado di prosciugare l’acqua contenuta nel corpo umano fino a trasformare il destinatario del trattamento in un mucchietto di polvere. Usato sui membri del Consiglio di Sicurezza delle Nazioni Unite, avrebbe portato a un cospicuo riscatto per la loro riconversione in uomini. Questo il plot, dunque;lo svolgimento, in linea con TV stories, is sheer madness, bright colors and children's playground, on foul shots crooked as if to underline a heated mental imbalance, taken at 90 degrees of Batman and Robin climb walls strictly in a horizontal position on the set, a dialogue that already contained in a puff sound redundant (one example: the two heroes, Commissioner Gordon and the master O 'Hara who comment on the current photolithography criminals on the loose on Gotham City), onomatopoeia on outbreaks of fisticuffs.
Adam West (Batman) and Burt Ward (Robin) wisely do not even pretend to take itself seriously, this seconded by the rest of the cast, thus preventing the film from falling into the abyss making it ridiculous and instead gravitated to the land of pleasant eccentricity. Who rewards even a short visit in the regions of comedy films, especially silent film: at one point Batman has to choose the best place to get rid of a bomb (round and black), but obstacles in the form of sisters , mother with baby carriage, love boat, and even a group of ducks are likely to make him explode in his hands.

A Bat-counsel, in closing: If you find any track in the planning of social networks, look Return to the Batcave: The Misadventures of Adam and Burt (2003). This is a TV movie that tells the backstory of the series and is a cult autentico gioiellino.

Regia: Leslie H. Martinson. Interpreti: Adam West, Burt Ward.
Titolo originale: Batman. Genere: Azione. Durata: 105 min. Produzione: USA, 1966.

Originariamente pubblicato, fatte salve alcune modifiche, su http://www.cineboom.it/

Brown Discharge With Kidney Infection

Scoop

A Londra le lucciole non passeggiano tranquille: archiviati gli agguati di Jack lo squartatore, devono sfuggire ai mortali approcci di colui che le prime pagine dei giornali hanno battezzato il “Killer dei Tarocchi”, per via di quelle carte da gioco lasciate accanto ai corpi delle vittime.

A investigare sul caso, Sondra Prensky, giovane and aggressive journalism student helped by an old magician, Splendini, stage name Sid Waterman. The tip about the identity of the serial in the person of Peter Lyman, among the leading figures of the aristocracy town, comes from reliable source that are absolutely out of the ordinary Joe Strombel, journalist and constantly on the piece of the past with great authority ... to a better life and escape the surveillance of Death to tell Sondra, during an experiment of dematerialization operated by Splendini, secretary of the speculation about his personal Lyman death by poisoning after starting to connect the crimes with certain attitudes of the employer .

Designing a masterpiece a year, or pretty much, is not accessible to all company directors: Woody Allen for a generous period of time has kept the flag, then, physiologically and 'human', the inspiration had take a breath, and one of the most influential personalities of world cinema has had to produce works that do not live up to legitimate expectations, although still more than decent. Now, a "historic" change of location - London instead of the usual New York - seems to have benefited the author's witty pen Manhattan and Crimes and Misdemeanors , after having set in the English metropolis the dramatic and cruel Match Point, architect a yellow rose that does not suffer particularly difficult to keep awake the interest with a vivid swirl of situations that blend well with the comic thriller, with touches of genuine suspense.

Scarlett Johansson, after the brilliant and sensual debut at the court in Allen's Match Point , confirms new muse of the American filmmaker, and is so delicious and functional in the shoes of the aspiring reporter on the trail of the scoop of the century, and hopelessly fell in love the same object, which distance themselves Woody seems almost to share the stage with her shoulder as a high prestige, and his Splendini, detective reluctantly, is tender and beautiful when appropriates feats hitherto unknown to him, as man of action, and pushes the tablet in his car to run in aid of what is now considered the daughter who has never been threatened by Lyman (Hugh Jackman winning a) on a private lake in boat man in a sequence that is a nod to Chaplin's Monsieur Verdoux .

Director: Woody Allen. Cast: Scarlett Johansson, Woody Allen, Hugh Jackman.
Original title: Scoop. Genre: Comedy. Duration: 96 min. Production: Great Britain / USA, 2006.

Endeavour Sailboat Diagram

Alta tensione

In a renowned psychiatric clinic arrives, a newly appointed director, Dr. Robert Thorndyke, a renowned psychiatrist also awarded the Nobel Prize. Patients
institution belong to the beautiful world and all the juicy lines stir the appetites of physicians, flying happily about the concept of professional ethics, a coalition successfully hide from the world for the eventual recovery of their patients. The
neodirettore does not take long to realize that the environment that surrounds it hides more than a few flaw, and helped the hospital by the driver and the daughter of one inmate, seeks to achieve, however, encumbered with a charge of murder diabolically constructed at a desk, a law that now seems pour into an irreversible coma.
Dedicated to the master of suspense Alfred Hitchcock, warns the text before the opening credits, HV proves to be a parody of the works of the English admirably not biased on the side of 'contempt', thanks to a run of Mel Brooks measured not always as committed elsewhere and even here in front of the camera in the role of Thorndyke. Influenced in particular by the suggestions of Woman Who Lived Twice ( Vertigo, original) by dell'acrofobia - namely the fear of heights - that diminishes the everyday life of Thorndyke, the film suffers from some of Brooks not gag functional context, but is only a venial sin: the plot, after a departure not just irresistible, follow with pleasure, alternating with the taste for the absurd moments of irresistible humor (which also cover the film in the making) as well as reworkings almost flawless frames to time frame of the cult Hitchcock filmography.

Directed by: Mel Brooks. Cast: Mel Brooks, Madeline Kahn, Cloris Leachman. Original title
High Anxiety. Genre: Comedy. Duration: 94 min. Production: USA 1977.

Silver City Theater Ottawa

Milano calibro 9

figure in the prestigious (and was) panorama of Italian cinema in general, Fernando Di Leo, inspired by some stories George Scerbanenco, signed with Milan size 9, that La mala order and boss composed the famous "Milieu Trilogy", what is considered by many his masterpiece, and a lover Quentin Tarantino brings, perhaps with a hint of exaggeration or maybe not, as "the greatest Italian noir of all time."
Certainly the story of Ugo Piazza, thorough worker on the payroll of the crime of 'American' - bosses feared he deems responsible for the disappearance of three hundred thousand U.S. dollars last result illegal exchange of money before his minion decides to his view, to be catturare come un dilettante dopo una rapina e di assicurarsi così una vacanza di tre anni, con rigoglioso avvenire, a spese dello Stato - si traduce in esaltante visione (valgano per tutti i minuti iniziali, commentati unicamente da inquadrature calibrate come tocchi di bisturi che inseguono la montante musica composta da Luis Bacalov), mai avara di colpi di scena, navigata da squarci di violenza non appannati dal fare cassetta e accarezzata da un insopprimibile romanticismo di fondo.
L’interpretazione di Gastone Moschin nei braccati quanto ostinati panni di Ugo Piazza, poi, è semplicemente di quelle che possono consacrare una carriera.

Regia: Fernando di Leo. Interpreti: Gastone Moschin, Barbara Bouchet, Mario Adorf. Genere: Poliziesco. Durata: 97 min. Produzione: Italia, 1972.

Church Anniversary Purpose

Outlander - L'ultimo vichingo

Malgrado il caldo che obnubila i sensi, non può sfuggire neanche all’attenzione dei meno smaliziati fra quelli che, aperto il giornale, scorrono con l'indice l’elenco dei film quanto quell’aggiunta italiana, “ L’ultimo vichingo ”, all’originale Outlander possa prestare il fianco allo scetticismo: nella stagione in cui è più facile smerciare le giacenze di magazzino, l’assonanza con il megasuccesso, datato 1986, Highlander: L’ultimo immortale potrebbe in fact the prelude to the bin with fluency, among other things hidden (or shown?) from a poster at the impact of discrete Conan the Barbarian. Surprisingly, however, the onset on the white sheet of Howard McCain, former director of award-winning short films and long for television, does not endorse the worst even under a screenplay that manages to effectively bypass the shallows of an inspiration from too liable in respect of the two protagonists in stories with real monsters (in all senses) of the sacred science fiction films: Alien and Predator.
Planet Earth, the year 709 AD: Kainan (James Caviezel as decisive) is an alien whose spaceship going to sink in Norwegian waters. His companion Travel perish in the accident and there is no trace of Moorwen, a creature that feeds on destruction and that smuggling on board, caused the malfunction of the controls.
Captured by a tribe of Vikings under the command of King Rothgar, Kainan, whose human features do not betray their origin, must demonstrate, with many suffering, not a threat to the life of the community and, once agreed to ' inside it, organize the trap to put an end to the massacres perpetrated by Moorwen.
McCain's complicity with the spectator turn facilitating a dramatic progression ambitions unfettered by copyright and that makes a script stand out even more, although apparently not first-hand, as already mentioned, manages to save a few 'had' - see the real identity of Kainan, which is never revealed to his new companions in life as well as the beautiful and very talented in the use of weapons Freya, daughter of Rothgar, with whom he falls in love, reciprocated - and strike up a system of instant learning of human culture of the period for use and consumption of the host from another planet would be hard to imagine more painful.

Director: Howard McCain. Cast: James Caviezel, Sophia Myles, Ron Perlman, John Hurt.

Original title: Outlander. Genre: Science Fiction. Length: 115 min. Production: USA 2008.

Spring Break Wild Party

Planet Terror

Lungi dall’apparire un puro e semplice sfoggio di abilità nel muovere il mouse, il più massiccio piegare ad arte le mirabilie del digitale in modalità Old movie consente a Planet Terror , atto secondo del progetto Grindhouse , introdotto qualche mese prima da Quentin Tarantino con A prova di morte , di meglio risuscitare sugli smaliziati schermi di oggidì un modello di cinema, il Grindhouse, appunto, caratterizzato da trame assai poco edulcorate che fra gli anni 60 e 70, in America, trastullava il pubblico di solito con due film proiettati in sequenza (negli States e in Inghilterra si è potuto apprezzare il cimento Tarantino and Rodriguez in this way) and often plagued by burns, missing pieces and various other damages in any order arising from a chronic shortage of copies, and then the intensive exploitation. The fireworks
Robert Rodriguez knows he can not rely on a script that makes its originality trump card (again an act of protest against the uncontrollability of weapons - chemical, in this case - which should 'protect' and which instead reveal the blanks without preference for any of the Lady with a scythe, another zombie movie), and escapes with the skills to do with a temptation to worry.
No, this is the filmmaker Texas una pellicola che abbiamo già visto tante altre volte e magari ci è anche piaciuta di più, ma che non possiamo costringerci a non rivedere: le traiettorie della macchina da presa sulle imprescindibili coordinate di Romero, con generose porzioni di prelibatezze carpenteriane e una nube verde che tramuta in famelici mostri che pare arrivare dritta dal cult I Diafanoidi vengono da Marte del nostro Antonio Margheriti fanno di Planet Terror una trasferta nei territori della paura di allarmante (per i nervi e lo stomaco del pubblico) efficacia.
Rose McGowan regala a Cherry Darling un’avvenenza che lacrime avverse a tentazioni di compatimento non fanno che esaltare e una stella nel firmamento delle donne in action between the Ripley of Alien and Alice of Resident Evil . The sequence that saw his former articulation with a machine gun instead of the right leg to a zombie by the clumsy manner had decided to eat for dinner, not out of place in a list of the ten most bizarre love scenes ever.
At the time of Terminator 2 - Judgement Day you wrote that it was a violent anti-war film. With the appropriate distinctions, the same could be made for speech Planet Terror, which, in fact, it causes no disturbance in the sincere scrupulous following of murder victims in the story as he sees, in a hospital, a tumbler on display impairments afflicting soldiers involved in the Iraq campaign.

Schizophrenia Treatment More Condition_symptoms

Il Cavaliere Oscuro

"... in my belly the creature writhes and growls and tells me what I need .... "
These are the thoughts that accompany the streets of Gotham City now defeated by criminals with a Bruce Wayne in his sixties, under siege by the infirmities of age and ten years congedatosi deliberately masked by his alter ego, in that desperate wonder / dark comic literature is The Return of Cavaliere Oscuro di Frank Miller (1986).
La bestia, Batman, il pipistrello fattosi castigo, doveva avere sicuramente vita più facile nell’età gagliarda del miliardario e filantropo Bruce Wayne, quando la vendetta era lungi dall’allentare la sua ossessiva morsa nei confronti di un uomo che una rapina sfuggita al controllo aveva privato, a otto anni, dei genitori all’uscita da un cinema.
Capitolo numero 6 delle avventure del vigilante mascherato creato da Bob Kane e Bill Finger e apparso per la prima volta nel maggio del 1939 sulle tavole del numero 27 di Detective Comics, Il Cavaliere Oscuro onora in pieno il titolo presentandoci un uomo pipistrello mai così accanito contro l’illegalità Bruce Wayne and increasingly on the verge of a crisis of conscience. A Gotham City
the mafia has spread its tentacles a bit 'all over the world, including law enforcement, and the rivers of dollars result of his vile trade saturate the vault of the designated banks.
Batman Beyond, however, criticized the media for its repressive methods against very little about the 'dignity' and 'rights' of the criminal, the only bulwark in defense of the public is the new District Attorney Harvey Dent, who , incorruptible and honest and deeply telegenic smile, leads, according to Lt. James Gordon, a blitz that led to the seizure of all the money the Mafia. But then realize that money is fake (there are also notes in bundles marked by Batman for the operation) and that the cash is protected abroad by the authoritative accounting of the Octopus.
usual, in short, between the skyscrapers of Gotham. Solo, criminals who flaunt the double-breasted and have only words of love for my checkbook are definitely 'vulgar' eyes rimmed black man who believes the time has come for the city to boast a truly criminal 'class ': the Joker.
look inspired by lucid madness, green hair, face pitted with white, yellowish teeth, dress and manners of the theater of the consummate actor and lips stained red stretched into a perpetual grin from scarred legacy of ancient torture, the Joker, inspired in its origin to the comic character played by Conrad Veidt in the 1928 film The Man Who Laughs , after baseness baseness can take on Gotham 'edge of the material and moral disaster.
Yes, because in his becoming champion of the cause against Batman Mafia and the law, in fact the evil clown mocks everything and everyone burning his fee (half the money of the Octopus) with the top of the pile, the accountant of the Mafia gagged and tied to a chair, thus proving to act alone and only in the name of anarchy and more detached from, but because - "Some men do not look for things logical, like money. Can not be bought, controlled or contracted. Some men just want to see the world burn. " - and assuming, offering a symbolic representation of man as an animal accustomed to sacrifice on the altar of wealth, the stature of obscene demigod.
Psycho without identity cards, Joker is historically an opponent of Prince raddrizzatorti in form. And the two are closer than they may think. Better, because the executioner can not be considered.
"You complete me," says the evil clown Batman, truth can not be stated more true, since che un sempre più crepato divisorio etico impedisce allo squilibrio mentale dell’uomo pipistrello di fare carne da macello dei suoi nemici.
Il Joker certe finezze comportamentali non le conosce neanche per sentito dire e, in questo Cavaliere Oscuro , non deve neanche affannarsi più di tanto per dimostrare agli onesti cittadini di Gotham quanto la loro probità sia solo un’astrazione da libro dei boy scout: scatena, infatti, una tribale caccia all’uomo quando chiede la vita di un impiegato delle Industrie Wayne, reo di aver dichiarato in televisione di aver scoperto l’identità di Batman, minacciando di far saltare l’ospedale di Gotham in caso di mancata risposta.
Non pago, riesce persino a far evacuare la città sotto la minaccia di attentati esplosivi, e, una volta al largo su due navi distinte la gente perbene e i detenuti, annuncia di aver collocato sulle imbarcazioni due bombe il cui timer può essere stoppato liberamente… salvo causare la distruzione della nave che non lo ha disattivato per prima. E tutto questo solo perché desidera che Batman si umili togliendosi la maschera e facendosi finalmente da parte.
Figurarsi, a questo punto, come deve sentirsi un crociato della giustizia quando coloro che ha giurato di proteggere lo guardano in cagnesco, quando non lo combattono apertamente. E la parte finale del film, in quest’ottica, è fra le più lugubri e malinconiche che un falso blockbuster come questo possa boast.
total chaos, then, in Gotham, post September 11 atmosphere and a masterpiece of ugliness when the Joker, so that's half his face is disfigured by fire, can lead to the dark side of the upright even Harvey Dent, giving rise to dangerous criminal that the world will know as Two-Face.
There's no denying, after Batman Begins, Christopher Nolan is confirmed (to distinguish the facts) only successor to Tim Burton at the helm of the adventures of man bat: an author can make the contours and vibrant screen the inconsistencies of human action, along with incisive and bitter reflections on the Well. Who had the rudeness of not warn when he departed from this vale of tears.


Originally published, with certain modifications, the Levant in the newspaper in July 2008.

Robert Stanley Collectionribbon

Sfida senza regole

the New York Police Department, the feeling is that in fatal storm approaching: with a string of murder victims dumped near (or) bodies of a gun, the same for all, and laid on a piece of paper with a poem with rhyming reasons of death are certainly as far removed from good advertising in terms of public safety. Not to mention
of respectability, as the track followed by the investigators appears to point towards the body itself. A cop killer executioner, in short, that you would load a stock of weapons stolen and imaginative compositions, to disinfect the streets from the dregs of the big holes in the fabric of the law have allowed it to continue to commit crimes and walk undisturbed.
Investigations are assigned to detectives Turk and Rooster, thirty years of nails under the slime which has assumed the coloration of the flesh and who see the orologetto take the pension with a smile wider than ever and unsympathetic measures of their wrist.
The two are the best at what they do, but young players do not warm the bench for sure: the detectives Perez and Riley the craving spotlight and must be the first to conjecture the possible involvement of a colleague in crime.
These, in brief, as befits a yellow frame, the events around which Righteous, honest cop who becomes the event of the year for crazy shot scored by director Jon Avnet (Fried Green Tomatoes - at the Whistle Stop , Red Corner , 88 Minutes), ie the involvement in the guise of Turk and Rooster, of, respectively, Robert De Niro and Al Pacino, two living legends in the first acting experience together for most of the duration of a movie. In the past, the news report, only twice Lennon and McCartney (As they are dubbed in the film in question) had trod the same set: Francis Ford Coppola wanted them in 1974 it The Godfather - Part II without them ever meet Michael Mann and directed them in the 1995 action-masterpiece Heath - The challenge , where just a couple of scenes on more than two hours and recorded in the middle of viewing them face to face with potentially explosive atmospheres.
The screenplay by Russell Gewirtz engineered part of the atmosphere with the alternation in the opening credits of detail, and with close-ups of the two protagonists engaged in a complicated exercise to the polygon that results in perfect summation of their time on color film of dust gun, before beginning a tormented excavation ambiguity in how to perform a job that's neat and pinto cinema has often only the oath, which does not provide the opportunity in his formulation of a gag for the accuracy dictated by the fabrication of false evidence, the only pick to refute testimony tainted by a fear that becomes invisible only to the cold pages of a code.
squassanti ethical issues are also offered by Gewirtz, who has not, however, had the foresight to take advantage of all the ink used to pen the script for debut, Inside Man to: pay a few steps nebulosity mistaken for stimulating said unsaid and the curly-erotic sadomasochistic between a De Niro to (appreciably, as Pacino also) does not hide his age, and a bewitching and determined member of the CSI team, Karen Corelli, do not escape the impression of filler. On the assets count
an exquisite game players (pull out the nails Carla Gugino, John Leguizamo and Donnie Wahlberg) that generates real characters in their instincts and passions, the authority of another grand old man of cinema as a tough and Brian Dennehy a vigorous self-mockery about the strength of the lock once. Jon Avnet
turn contracted with an exuberance to the minimum wage, which is a shame. It 's true that Al and Bob are directed only to the brazier and the stir of attention to duty until stabbing finale, a mente fredda unico momento realmente orchestrato sulla tensione, ma se la giustizia al di là della giustizia di Sfida senza regole fosse stata soppesata da un Martin Scorsese, sicuramente staremmo rubricando l’ennesimo, necessario, capolavoro.

Originariamente pubblicato, fatte salve alcune modifiche, sul quotidiano il Levante nel mese di Ottobre 2008.

Licencias De California

Gran Torino

78 anni e non farseli pesare. Per quello che, a quanto riportano le cronache, potrebbe essere il passo d’addio al cinema come attore, Clint Eastwood sceglie un soggetto “come al solito” poco consigliabile a chi smania di affogare nel buio di una sala per accordare la libera uscita al cervello. Film da vedere con lo stato d‘animo sintonizzato sulla giusta frequenza, allora? Non proprio, dal momento che Gran Torino è, anche, opera parecchio divertente. Sì, proprio così: si ridacchia e non difetta la risata di gusto. E non potrebbe essere diversamente, dal momento che il magnifico Clint convoglia nello scostante e apertamente razzista (ma è difesa; solo e soltanto, alla fine, sgretolabile difesa) Walt Kowalski - uno che la guerra in Corea ha 'onorato' di una medaglia che da tempo, o forse dal primo giorno, ha come unica valenza quella di accompagnare le sue notti e i suoi giorni tenuto per mano da fantasmi che un tempo avevano volto e carne the 'enemy' - an exciting synthesis of the characters embodied in the space of fifty years of bright career, Dirty Harry in the head. It is known that Harry is not the bitch bites of certain language.
film, like much of eastwoodiana filmography, relentlessly aimed empyrean of the classics, Gran Torino shines a compelling final half-hour rhythm on the suggestions of an (im) possible recapture of another yesterday attended by mules likely that more you thought of them laughing and urging police delinquentelli by half a point to keep them happy, and culminating in a 'showdown' of poignant lyricism.

Dragonball Doujin Online

The Mist

Warning number one: The Mist is a film that beats, and strong. Refrain viewers last minute or who boasts that more than others if they make below the more he laughs.
Warning number two: cancel the booking at the restaurant or pizzeria, since the credits are still landed, landed on the chair and just waiting for the moment that the force will coordinate the movements to return home to meditate about how the human race can really be aberrant.
ONLY: The Mist is missed terribly.
its third translation to the big screen, after Wings freedom (1994) and The Green Mile (1999), a work of Stephen King, one of the greatest contemporary authors on the themes of horror and mystery, Frank Darabont steer the moorland of the more visceral fear, though without sacrificing the lyrical magic that made it great and unforgettable the two titles mentioned above.
A small town in Maine is Strapazzata very well from a storm that uprooted trees and remember to leave no damage to the second floor. So far so good, it can happen. That
but a bit 'more out of the ordinary is a large expanse of cloud that progresses from the lake and soon invades the streets, forcing, in particular, a large group of clients, even strangers, watching from behind glass panels in the local supermarket without being able to get out.
Sure, you could groped to reach their car, but if the thick white blanket at a man running from his nose reduced to a fountain gushing blood and screaming about something that took his friend, the delay is not unreasonable to regard . Then, when the gate at the back are unwelcome guests of the giant tentacles animated by the worst intentions, the terror promises to quicken the pace more and rationality. And a religious fanatic will prove the most deadly enemy. The truck
opening discovers a citation and a tribute to the state of the art, as well the trade of the main character, Dave Drayton, a designer of movie posters: one of the panels on the wall of the home office, depicting the figure of a man used to the movie poster thing, remember John Carpenter, who in 1980 terrorized the public with Fog, the story of a bunch of sailors that the mist back from the dead to take revenge on the descendants of the people of Antonio Bay, responsible for one hundred years before their departure, a canvas along the way instead treats the portrait of King Roland, the gunslinger's successful fantasy series The Dark Tower-western .
two kinds, those that stand bullies, together with the parallel worlds of science fiction in this horror film really disturbing how few, at least in these times of fear film dealt with injections of pixels and irony for an audience that will be safeguarded from bumps, maybe not lenited a rewarding final kiss, which could be harmful to your health ... the box office.
anxiety exchange of suggestions between the siege of One dollar of honor and that of Precinct 13 (Carpenter, again), the cocoons of Alien and The Cthulhu Cycle of Howard Phillips Lovecraft, The Mist welcomes the privilege of so and so many precedents confine to a mere outline of a story where the real punch in the stomach is launched from various umanità intrappolata nell’emporio, che vede la patina del vivere civile che fino a qualche ora prima ricopriva solida la vita di tutti i giorni, sfaldarsi e venire soverchiata da quell’egoismo e da quella crudeltà latenti comunque sottopelle e che si affrettano a marcire forte gli animi quando c’è in palio la sopravvivenza.

Quell’impronta di una mano fattasi sangue non per extraterrena volontà sulla porta di ingresso del market turberà a lungo i nostri giorni, e il prefinale, che ribalta oscenamente beffardo l’assunto portato all’Oscar da tal Roberto Benigni, non si abbandona a pietà alcuna.

Originariamente pubblicato, fatte salve alcune changes in the newspaper The East in October 2008.

Free Colposcopy In Charlotte N.c

Star Trek

"Galloping galaxies is a game to young people," replied the Admiral James T. Kirk, falsely resigned to his desk, a Dr. McCoy who had asked him if it was not easier to govern the Enterprise crew to an expert (read: the old guard) instead of addressing continuing damage to equipment due to the Kobayashi Maru test, unresolvable question likely to test the decision-making skills of aspiring captains of starships. It happened in
Star Trek 2 - The Wrath of Khan , one of the most successful feature films devoted to the world give birth to television (1966-1969, 79 episodes) by a clear intuition of Gene Roddenberry. Today, after 10 films for the big screen spin-off for the TV - where it has even reduced to cartoons - and conquered the remaining media available with novels, comics, video games and so on, JJ Abrams finally resolves to Kirk not to contradict and sit out on the chair that is more congenial than that of the command, and ordered him: "Thrusters ahead!" in the tone of voice cracked on the number of birthdays.
leading authority in the field of television series for having given to the titles such as Lost , Felicity and Alias \u200b\u200b , and not unknown to the white sheet, as well as passed by writer, also for holding the control bar of the third mission impossible for Tom Cruise and for the design of that Cloverfield who did so much disgust and shake their audiences, because everything in the shot of the subjective camera fleeing the destructive fury of a relative of Godzilla, Abrams, in dealing with the eleventh chapter of one of the most popular sci-fi series ever, relies on a thirty year old Kirk lost his father and permanent route with the world, very undecided about their enrollment at the Academy della Flotta Stellare, incoraggiata dal capitano dell'Enterprise Christopher Pike, e che stringe fra le dita, inclinato verso il basso, un modellino di quella gloriosa astronave lasciandone scivolare via la polvere, una precisa dichiarazione d’intenti, espressa con il ricorso a una figura narrativa fra le più usuali nelle avventure di James Tiberius Kirk e soci come il viaggio nel tempo, mediante l’irruzione dal XXIV secolo di una nave spaziale con equipaggio romulano in cerca di vendetta per il loro pianeta natale, Romulus, ridotto in cenere da una supernova che deflagra prima del tempo previsto dall’ambasciatore Spock per poterla fermare con una inoculazione di materia rossa.
Abrams ha affermato a ogni anteprima per la stampa e per il mercato della pubblicità di alcuni segmenti del film di non essere un fan di Star Trek , e il giocare con la porta del tempo gli consente così impennate di rotta epocali (si veda il destino di Vulcano, pianeta di Spock) e intriganti variazioni sul tema, la più 'sconvolgente' delle quali coinvolge ancora il vulcaniano dalle orecchie a punta, qui più vulnerabile alle lusinghe della sua metà umana (per parte di madre) a scapito della proverbiale mancanza di emozioni che, favorendo il ricorso alla logica, contraddistingue fortemente la sua razza. Se poi registriamo un tenero sentimento d’amore fra l’alieno e il tenente Uhura, davvero questo Star Trek riscrive la saga dalle fondamenta fino a illuminate the screen after a number zero in all respects, and preparing a whole new generation of viewers to board for a second five-year mission "up to where no man has gone before." The promotional poster
affinity with that of the parent film by Robert Wise in 1979 highlight the differences that they marry happily with tradition, enjoyable feature that distinguishes a work fully in all aspects of realization and just maybe affected by inserts in the Star Wars which, although greatly desired by the director, does not always rotate in sync with the epic universe Roddenberry.
But there is something that, to want be picky, does not fit in the vision: why, for example, when we come for the first time the Enterprise docked in the hangar space we do not live this emotion overflowing from the frames of Wise? Why impression of a meandering handbrake on, and despite wanting to exaggerate the excitement of finding the ever Spock, Leonard Nimoy, that the disruption time can appreciate more than generous in a cameo?
course, is clear: the filter between the Myth and the personal belief: not only a trekker could simulate as Abrams (yes, that's right: simulation) the distance needed to melt the hearts and then with one of the 'low blows' most unforgivable ever se fosse venuto a mancare: l’immortale “Spazio, ultima frontiera…” che apre gli episodi Tv, modulato stavolta dalla voce di Nimoy, che, prima dei titoli di coda, accompagna le inquadrature dell’Enterprise, pronta a spiccare il balzo interstellare dopo aver finalmente riunito l'equipaggio storico ai comandi del fresco di nomina capitano Kirk e “diretta all'esplorazione di nuovi mondi, alla ricerca di altre forme di vita e di civiltà…”.
Bentornati, amici. Lunga vita e prosperità.

Best Beautiful Agony Clips

I segni del male

Katherine Winter di professione smaschera fenomeni che hanno del miracoloso riconducendoli nei più shores of rational scientific explanations, full of victories and a carnet volitività is only one figure to be taken as an example. Katherine Winter is a Protestant nun up to five years before, his faith in God and the absolute conviction that they must do the right thing had driven with her husband and young daughter in a village in Sudan to provide assistance to people in need . The Almighty, fell ol'Angelo, put to the test: the arrival of the family brings a year of drought, death and suffering. The only solution seems to offer a burnt offering her husband and daughter Katherine, who can not do anything to save them. Katherine Winter, now no longer believes in nor Dio né al Diavolo, la sua vita è protesa al continuo dimostrare al mondo che l’uomo alla fine dei suoi giorni dovrà rendere conto solo a sé stesso. Una telefonata da chi non avrebbe più creduto di sentire, però, può rimettere in discussione tutto: padre Costigan, suo amico di vecchia data, le comunica, fortemente preoccupato, di aver recuperato delle foto di lei con la figlia, e il suo volto in ognuna di quelle immagini è consumato dal fuoco, fenomeno al quale si è trovato anche ad assistere di persona. I ritratti, messi insieme, formano una croce che termina in una falce, simbolo di una setta satanica dalle origini millenarie e segno del cielo secondo il religioso, che sta mettendo in guardia la donna. Ma sono parole perse nel vento: Katherine ha ripreso a dormire da quando ha smesso di pregare e non ha alcuna intenzione di ritornare sui propri passi. Scienza e raziocinio sono il suo unico credo, ora.
Qualche giorno dopo, la scienziata riceve la visita di Doug Blackwell, un insegnante di Heaven, pacifica cittadina della Louisiana dove, all’improvviso, a seguito della morte per annegamento di un ragazzo, il fiume si è tinto di rosso. La popolazione locale, devota a Dio al limite del fanatismo, è convinta che la causa di tutto sia da ricercarsi in una dodicenne che, a parer loro, ha dapprima ucciso il fratello e poi operato il sortilegio.
L’opinione comune è che la ragazzina, Loren McConnell, figlia di madre single e sospettata di satanismo, sia nientedimeno che l’emissaria di Satana sulla Terra, e che il fiume rosso sangue non sia altro che la riproposizione, di lì a breve, delle dieci piaghe d’Egitto. Katherine è ovviamente scettica ma decide di intervenire e parte alla volta di Heaven con il suo socio Ben, un omaccione di colore con un passato di delinquenza giovanile e un presente e un avvenire di redenzione.
Stephen Hopkins dirige con polso fermo un film che avrebbe potuto tranquillamente prendere, visto l’argomento trattato, la scorciatoia del gran baraccone carico di effetti speciali senza nerbo narrativo. Fortunatamente così non avviene e possiamo invece godere di un robusto thriller dell’anima con una Hilary Swank convinta e convincente nei panni di una detective dell’occulto che si ritrova a investigare soprattutto su sé stessa: gli insistiti flashback sulla tragica esperienza vissuta in Sudan ad opera di un massiccio indigeno dalle orbite vuote e grondanti sangue sembrano essere un pressante invito ad “aprire gli occhi”, a reimparare a vedere le cose nella loro esatta prospettiva senza il filtro dell’ottusità, di qualunque natura essa sia. E il fatto che sia la presunta serva del demonio a mandarle quegli input può forse voler dire qualcosa di molto serio. Segnalazione di merito per AnnaSophia Robb che dona al suo personaggio di bambina scatenatrice delle piaghe bibliche un alone di forte mistero unito a una presenza scenica notevole. La giovane attrice riesce a tenere head to the consummate professionalism of Swank and their painful moments of confrontation and evoke that there may be complicity between a mother and a daughter rejected by society because 'different'. And if this diversity is the work of the evil the only solution is that of the lynching. It is not murder but divine justice if armed men and women hurl themselves upon a young man who, apparently, is frogs raining from the sky and unleashed an onslaught of locusts against his persecutors in a sequence of the most powerful of the film. A scene that presses on the chest and leads to genuine horror.
It 's only pre nell'esagerato, de payer Raiders of the Lost , che Hopkins paga pegno a un cinema più fracassone. Ma è solo un peccato veniale: il finale, girato in punta di cinepresa, aggiusta il tiro e ci regala una genuina scarica gelata lungo la schiena.

Originariamente pubblicato, fatte salve alcune modifiche, su http://www.cineboom.it/

Homeopathic Remidies For Ovarian Cysts

La Maschera del demonio

Anno 1960. Nei cinema i fasci di luce dei proiettori riversano sul pubblico le inquietanti fasi di un rito tristemente noto nei tempi passati: l’esecuzione di una donna rea di avere intrattenuto rapporti con Satana. Siamo nella Moldavia del 1600: Asa, ritenuta una strega in odore di vampirismo, viene sottoposta dal grande inquisitore, nello specifico suo fratello, che la ripudia, al supplizio della Maschera del demonio, orribile strumento di morte che ha le fattezze di una faccia di satanasso irta di grossi chiodi che viene conficcata nel volto della sventurata vittima. Le fiaccole e i fulmini illuminano con guizzi spettrali la macabra scena, la musica monta e qui Mario Bava, al suo esordio nella regia, piazza un magistrale coup de théâtre: la soggettiva di Asa, che guarda avvicinarsi minacciosamente le punte aguzze al suo viso. Lo spettatore viene così avvolto nella spirale del voyeurismo più estremo: lo spettacolo della propria morte. I gemiti di sofferenza fuori campo della donna si fanno insopportabili e la decisa mazzata che il nerboruto boia piazza alla maschera la libera - ci libera - finalmente dalla sofferenza. Il sangue sgorga copioso dalle feritoie all’altezza degli occhi, del naso e della bocca. Titoli di testa, ed è già leggenda.

Ispirato al racconto Il Vij di Nikolaj Gogol, La Maschera del demonio è senza dubbio uno dei grandi classici del cinema horror italiano. La storia della disgraziata Asa, che in punto di morte giura vendetta sulla testa dei discendenti della sua famiglia, i nobili Vajda, con il tempo non ha perso nulla del suo fascino e la sequenza, curata dallo stesso Bava per gli effetti speciali, della ricomposizione del volto di Asa prima della sua resurrezione resta ancora oggi elegantemente ripugnante.
Acuta intuizione by the director was also to engage as a protagonist that was to become an icon of fear on display Italic: Barbara Steele, diaphanous face and figure oppressed by perpetual anxiety in the role of Princess Katie, great-grandson of Asa and carbon copy; pregnant subcutaneous eroticism, much to do literally explode the grave that holds it tied to eternity, when the witch embodies vampire. Cinema High School, which feeds on suggestions dream (the car in slow motion through the fog), which turns in the tale (the girl in the woods that oozes menace from every branch seems to refer to White, as well as the mask of the devil reflected in the fund of a glass) and that without the passion use of unnecessary duplication.

Originally published, with certain modifications, on http://www.cineboom.it/

Sailboats Laser Hawaii

Identikit di un delitto

The tag detective Erroll Babbage does not evoke more from the sweet time rest promised by stamping out. No, because Erroll Babbage has looked too long into the abyss and fought against many, too many dragons. And, finally, the abyss has looked into him, that turned into a dragon.
18 years of service may be rotten as 18 years in prison, perhaps innocently, the psyche of a man who has the difficult responsibility of a flock very special ( The Flock, flock, in fact, is the original title of the film): convicted of crimes related to sexual probation: rapists, kidnappers, molesters of adolescents, children, animals, and so on voyeurs . Lots of perverts who regularly have to undergo a questionnaire whose function is to certify whether the harmlessness of their lives among the people. And if that does not give sufficient guarantees, nothing more effectively estimate that wearing a balaclava and down with the bat barrel in sheep macchiatasi only way to have team with a surplus of insistence a bunch of little girls.
Now, the car ferrying it is sent towards the end of his days by vigilante: the latest assault has decided for him a 'retirement' in advance to those given by his superior, no longer willing to tolerate the methods to be Death Wish.
Man Erroll Babbage, however, has a conscience that allows him to simply leave the workplace: the cry of pain and never parched eyes of many parents to whom he visits at least to restore hope to be able to bury the children taken away from their hands numb, makes the engine roar and lift thick clouds of desert dust: it is almost certain, in fact, have found the burial place of some victims of one of the geeks appartenenti alla sua cerchia di sorvegliati.
Prima regia americana di Andrew Lau, talentuoso quanto artisticamente discontinuo regista di Hong Kong, comunque già in una posizione di rispetto negli annali del thriller con la trilogia di Infernal Affairs ( dal cui primo capitolo Martin Scorsese ha ricavato nel 2006 la pellicola che gli ha consegnato l’Oscar tante volte solo sfiorato: The Departed ), Identikit di un delitto non ha fatto in tempo a raccogliere ai botteghini Usa gli incassi sperati, in considerazione anche di una coppia di protagonisti di sicuro richiamo, dal momento che è stato proiettato solo al Festival di Palm Beach, per finire poi a rischio polvere fra gli scaffali dei dvd.
Frankly, beyond the reasons of so much destruction. Of course, the unforgettably is far away and the version reviewed here does not enjoy the director's cut, but does not mean that much: the subject shakes and Richard Gere nearly sublime characterization of a lawman who hopefully has seen better days before the security of society devours from within. Nothing magnificent obsession that makes him spend the day, when it should not put anyone under pressure, looking in the newspaper the crimes of a sexual nature which the method could be traced back to one of his supervision. He can not stop eating even when dirty paper, in this drawing, the worthy and certainly more 'light' Marion Cobretti, called Cobra, Sylvester Stallone, unforgettable when it produces in the maintenance of his gun chewing on a slice of pizza previously cut with scissors.
Curriculum largely unassailable, with a gem such as the dazzling Juliet Romeo + Juliet by William Shakespeare Baz Luhrmann Moulin Rouge , Claire Danes is the choice of Lau to give substance to the newly appointed Allison Lowry.
Eyes that radiate positive energy and a contagious smile wide and genuine, the agent Lowry appears immediately as the antidote to self-destructive impulses of Babbage, which is destined to take its place.
Babbage, however, the presumption of aver bisogno di alcuna “cura” e con la giovane collega, alla quale deve insegnare il più possibile nel tempo rimastogli, non sono logicamente scintille, visto soprattutto che questa, pur volenterosa e dedita alla causa, non esita a sbattergli in faccia le sue nevrosi. "Tu non parli. Interroghi!" è la sferzante osservazione durante un drink in casa di lei. Dove, finalmente, Babbage riesce a liberarsi da sé stesso lasciandosi sedurre da repentino sonno su un divano.
Forte di una decisa mancanza di accondiscendenza nei confronti dello spettatore (“Tutti abbiamo delle fantasie sessuali”, incalza Babbage rivolgendosi a uno dei suoi “assistiti”), Identikit di un delitto annovera almeno una sequenza di forte tensione e insopprimibile disgusto: l’irruzione dei due agenti federali nello 'studio' fotografico del presunto rapitore di una minorenne (sulla cui scomparsa si snoda la trama del film). Qui, all’incrocio fra il bosco di Biancaneve e il rifugio di Buffalo Bill ne Il silenzio degli innocenti , immagini e suoni si fanno sintesi definitiva di una società cronicamente votata alla perversione, e la scelta di girare quasi tutto dal punto di vista della Lowry sembra voler avallare la necessità della perdita di una purezza di ideali a favore del profondo nero di cui si arma il 'nemico'.

Originariamente pubblicato, fatte salve alcune changes in the newspaper the East in August 2008.

Cruising Spots In Raleigh

L'incredibile Hulk

aside more than artistically valid, but disastrous from the standpoint of collections, intellectual ambitions and formal sophistication of 'Hulk fired by Oscar winner Ang Lee in 2002, Marvel, and with the contemporary Iron Man has embarked on a successful path of production, acting to restore virginity to one of the film among its most precious jewels in the crown and leaves the Green Goliath inspiration and dynamism at 24 frames per second of the Frenchman Louis Leterrier, a pupil of the most capable of Luc Besson.
Since the engaging opening credits, which tell a handful of minutes in the genesis of gamma-Emulator Mr. Hyde, the intent is clearly to pay homage to the wonder and pathos that made the fortune of the TV series (1978-1982) starring Bill Bixby in the troubled role of nuclear physicist Bruce Banner and bodybuilder Lou Ferrigno, overflowing from his trousers ripped and always too short in the giant perennial angry with the world.
Banner is a refugee for five years in a favela brasiliana e qui prosegue le sue ricerche per sopprimere il mostro che gli lacera carne e vestiti ogni qualvolta si arrabbia o è in preda a forti emozioni. La vita scorre in qualche modo serena fra esercizi di respirazione e un lavoro presso una fabbrica di bibite. La parvenza di normalità è però destinata a dover tornare a fare i conti con la dura realtà di un uomo in fuga: lo scienziato si ferisce e una goccia di sangue va a infettare una bottiglia di un lotto destinato a New York. Qui, un anziano signore (Stan Lee, il benemerito “papà” di gran parte dell’universo Marvel, nella consueta apparizione in un cinefumetto da un personaggio da lui creato) beve e si sente inebriato da una forte scarica di energia.
Tanto basta to get back on track, General Ross and rekindle the never-forgotten love between Bruce and Betty Ross, daughter of the soldier who made the capture of the Hulk for military purposes its only reason for living.
should we admit it: the trailer seemed to be having to watch a mere blind following of barrel between the Titans and gunfire and explosions, while they deafen the ears, leaving the other free to engage the brain in completing the shopping list for the weekend.
Fortunately, Edward Norton at the Studio offers the opportunity to make changes to the script and those already accustomed director and, by its nature, this type of tasks, not denied and will avoid excessive drift adolescence. In addition to offering (after having declined the offer at the time of Ang Lee) yet another brilliant performance as Bruce Banner in a more lucid about his condition a voluntary outcast from the civil forum, that assembly, if necessary, not But pulling back: in one of the most dramatic scenes we see the scientist, after a transformation, wandering half-naked and dirty in a street steeped in poverty in Brazil to the tune of The Lonely Man , the melancholy theme of the TV series. He sits, exhausted, and it is so battered by a child begging to move. That definitely does not sail in the gold.
Louis Leterrier, who with Danny the Dog had already dealt with kinetic fury tempered by moments of warm sweetness the theme of man-beast, he realizes with The Incredible Hulk a film that might not be a masterpiece, but decided that stands out in its first references to King Kong , so as to assume a remake not stated (see the touching sequence with the giant jade and Betty in the cave while a storm rages outside, with the Hulk at some point, fearful of lightning, roaring all his anger against the sky - rather than transparent metaphor for humanity that does not require a height of about three feet and hands and feet disproportionate to foam green with rage, often their own fault -), And a staging that does not shame to focus on the only feeling the love, so it's worth shouting now every ounce of his strength against that part of a science infected by mad war by the name of Abomination: "Hulk smashes."

Originally published, with certain modifications, the Levant in the newspaper in June 2008.

Clonazepam And Ambien Lethal

La Mummia - La Tomba dell'Imperatore Dragone

A deathly silence lasted for seven long years, the ears of fans could only sound like the end of that all in all a pleasant repechage of the most terrifying film magnetically horror of the Thirty glorious years, reviving the high priest Im-Ho-Tep, immortalized in the interpretation of a 1932 Boris Karloff, the year before, he had already handed down to posterity the form and movements of Frankenstein.
declination of the chiaroscuro and expression of essential masterpiece of Karl Freund, The Mummy in dynamics and tension melt entr'actes Indiana Jones films, in 1999, the agile Stephen Sommers returned it to unroll the bandages that were wrapped 's Egyptian convicted of sacrilege to feel love lay in the tomb, to agitate against the former legionnaire Rick O'Connell and Evelyn beautiful archaeologist will The Mummy first tonitruante chapter of a diptych, which together with The Mummy - The Return (2001), became a standard bearer of nostalgia for the long absence from the screen of the teacher with a whip and hat, invented by George Lucas.
Now, excluding the income The Scorpion King spin-off of 2002 whose muscle directed by Chuck Russell is holding back a mere sensation of scraping the barrel, with a delicious madeleine effect that immerse yourself in the crepe paper of Hercules and his companions, now this unexpected third firm of O'Connell (infant already were married with eight years in the second episode), The Mummy - Tomb of the Dragon , comes to give the ever irrepressible manforte longing for freedom from the hassles of every day is rewarded for some time before, after twenty years of affliction, by the return of old-style adventure with a bang, though mottled with shades of contemporary concerns, signed Indiana Jones and the Kingdom of the Crystal Skull .
In ancient China, the invincible and ruthless king Han has two specific objectives: to become emperor and have eternal life. At the supreme power he thinks his army, in perpetuity the witch Zi Juan, asking in exchange for being able to live next to the General Ming, to whom she fell in love.
Deceived by a false promise, however, Zi Juan throws a curse on the sovereign, who turns into a clay statue together with his army of ten thousand warriors.
In 1947, archaeologist Alex O'Connoll, son of Rick and Evelyn, brings to light the tomb of Han. Basis, in immeasurable scientific discovery is matched by the usual band of fanatics who have awaited the return of the emperor, who, awakened by Rick, motivated by a gun against his wife, soon to regain lost thousands of head of a ' whole legion of undead.
Set aside the role of executive producer, Stephen Sommers and grace Egypt unearths the chaos on the ground at the hands of Asian acrobatic Rob Cohen, who is "acting" even before opening Universal logo with a wuxiapian, the kind of "cloak and dagger" in China, which has the only defect to last less than ten minutes to dissolve the mausoleum of the emperor's face martial on that kid from Rick O'Connell, who put aside the cane fishing in favor of a more expeditious gun, performs in a comedy that brings the film on the usual binary 'mummieschi', namely gag immediate impact, more or less funny jokes and action at breakneck speed in the service of a drama he sees as dust in the eyes lust for any commitment. This
Tomb of the Dragon Emperor, then, except for the opening words, seal those openings ambiguous seduction of terror which also wound in the two works that preceded it, and 'writing the part' for three abominable snow men and a three-headed dragon, makes himself yet another model of a universe immediately ready to be challenged by a well-balanced operation of joystick. Fun
more than assured, then, for those who think Playstation, for all others, a suggestion to suppress some yawn would be to stagger the vision considering how absolutely counterproductive for the lack of career rollercoaster ride of Rachel Weisz in role, so far, Evelyn.

Originally published without subject to modification in the newspaper the East in October 2008.

Welcome Address Sample

City of Laurel: bullying and mob

The City of Laurel has been convicted three times in succession to the crime of harassment. Meditate.
Where a public body such as the City of Laurel apparently healthy, those who hold the levers of power is a group decision-making, the rules "tacit" of behavior that are established in it, often respond to logics of patronage, all revolving around ' abuse of office and result in discriminatory acts, such logics are based, to a code of ethics intended to render meaningless such concepts as human dignity, solidarity and transparency, which will be only sterile items.
In this context, it becomes extremely easy to take all those subtle and devious figures of psychological, intended to destroy and annihilate an employee "uncomfortable" to "tame" to bend to the will of those who "decide" who knows he can count on the conspiratorial silence of his colleagues who remain silent or complicit, or because of fear of possible retaliation similar.
Where possible, therefore, make use of various forms of harassment and psychological terror against a human being, the victim accepted or bend the rules "tacit and immoral," set by those who actually controls or is intended to be ousted only because it was considered "a politician thinking differently." The victim is therefore powerless to react to his captors.
The form of such a situation exists in the workplace, with a deadline modern, is defined by the word "mobbing", which - according to the latest dictionaries - is shown as a "systematic persecution, carried on in the workplace by colleagues or superiors in respect of an individual, which mainly consists in daily acts of marginalization, demotion, threats of license, (someone who is close to me was even said to have the hours counted as a boss would say to his next victim), and even professional psychological violence and sabotage. "
me, it is suspected that the word bullying has been coined for the sole purpose to avoid be labeled as common criminals, the whole mass of "respectable people" who, abusing their power, they destroy the lives of one or più lavoratori.
La sofferenza nascente da condizioni di vita disumane, imposte da chi vuole piegare i suoi simili alla propria volontà, è identica sia nel caso di mobbing, che in quello del ricatto nel pagamento del "pizzo".
Trattasi sempre di violenza psicologica, tortura psicologica. Ma il prezzo che paga chi rifiuta di assoggettarsi alla logica mafiosa ossia il dipendente che va controcorrente solo perché non è disponibile a diventare uno "sissignore" non è la morte fisica. Contro di lui saranno utilizzate armi più sofisticate, che non lasciano cadaveri, ma che tendono ad annientarlo interiormente: le armi psicologiche, che mirano alla sua "morte civile"!!!.
Soprusi, prepotenze, violenze psicologiche are the first arms of the mafia, who know they can count on conspiratorial silence arising out of complicity or cowardice: it is not necessary, therefore, the "dead" to prosecute all those criminals who have chosen a way of life, which includes the zero of that difference that distinguishes a man from an animal.
So when such "silent weapons" are used in a public body such as the town of Lauro, it seems fair to say that in this town there is the mafia and mafia who adopts the method of psychological violence against a person even weaker to achieve its ends. If
mafia is the "kid" who is merely asking for protection money provided by the criminal organization which is integrated, Mafia is also the one that creates an action that allowed mobbing the occult and criminal system that he himself created.
Neither of them used a gun to achieve its goal, but the kid is either the Mayor ol 'Councillor to staff on duty have contributed with their behavior in the massacre of a human being.
Once the word mafia was whispered, and many denied the very existence, not by understanding its meaning. The phenomenon to emerge in its dramatic history had recorded so many victims, and the same is happening with the phenomenon of bullying.
scholars of the phenomenon are now well placed the dynamics and consequences of the "ordeal" suffered by many workers, but to date have not yet been identified the necessary legal instruments to do justice. Currently there is only financial compensation paid by 'body or a' company (legal person), but the real culprits (individuals) not "pay" for their sins, or economically, or penalty, and therefore, despite the sentence of conviction for harassment, remain free to continue to be taken against all forms of official persecution of technique.
The mobbed employee will only receive the money as compensation for "past" destroyed, but his "present" and its "future" will continue to be a continuation of his past in hell!. For
eradicate this phenomenon by the society in which we live is not the only prevention, because here we are faced with the behaviors of those who has already sold his conscience for not having to feel remorse for having contributed, through its action or its silence, the massacre of a colleague.
And those who keep silent or complicit or feels justified by the fear of retaliation. Who put a gag on his conscience that he forgot all the rules set by men should always be subject to the ethics set by the voice of his "conscience", which prevents you from trampling the dignity of a fellow and cries before every form of injustice , calling the man in his natural way of being human dissuade him from that path that could lead to the state of animal. Judging
this town where the ethics of mafia rule by all those that identify bullying behaviors, remain "men" being able to look anyone in the eye, without rubbing in the presence of any means to stand by helplessly the destruction of life, meaning life this inner world in which each of us cultivates his own desires, dreams, ambitions, washed down with enthusiasm and zest for life, but that as a result of bullying now, has become a reservoir of enormous suffering, a great void that has transformed every pulse inner thirst for justice.
I believe that to do justice (in the presence of a void Legislative and waiting for an ad hoc law, which establishes the criminal prosecution of that crime), the judiciary, through a broad interpretation of civil, criminal and constitutional situation in the already existing, could frame as a crime of the so-called Mafia bullying.
give the desired importance to the criminal harassment would be labeled as criminals all those who, despite their "respectability," they participated in the massacre victim's choice. The consequences would be criminal as a warning to all, awaken slumbering conscience of many, a punctual and reliable operation of appropriate instruments of repression is the best means of prevention in a system where you want run justice. Framing bullying as a crime victim of the mafia was also satisfaction to be compensated financially by his captors, who would be attacked on its assets, including salary, severance pay
established the existence of a case of bullying, the competent court should automatically pass the case to the Criminal Court to identify all those responsible. Keep in mind, in fact, that many times the strategy of bullying is structured so as to break up the responsibilities on more workers, so as not to allow the victim to prosecute the various "mobbers.
Each of them takes, indeed, behavior that could appear legitimate and insignificant, but which become significant only when considered as a piece of a destructive process against the mobbed, which can only emerge in an investigation aimed at identifying the direct and indirect responsibility of all those who contributed to the killing of a human being, who simply wanted to work honestly.
But we should also give victims the chance to start life anew. The
mobbed found in psychological conditions similar to the survivors of a "concentration camp" know they are alone and helpless, to be considered useless, are people distrust their neighbors, remained deaf to every request for "help", are beings humans who need help to get back into a comfortable and stimulating working environment, which does not give space to those who place no value on human dignity.
Justice has to worry about rebuilding their professionalism, redevelop their image and to repair any damage caused their existential outside the employment context.
The victims cry out for justice for abuses of power are invisible wounds, at least they deserve the recognition of fundamental rights of 'freedom of human being ... always and everywhere to express their political thinking and have the dignity of human being on the rise work and tasks to be performed.
This should never be a political manifesto, but the realization of a healthy living and civic life.

Michele